The result is a more finely detailed image. Part of the design ethos of the camera was to not only make the camera itself affordable but it had to be affordable to use. Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. In addition to these electronic EF lenses, there are many manual lenses available and these are all compatible with the EVA1. The EVA1’s sensor is a 5.7K sensor. Panasonic AU-EVA1 4K New 5.7K Sensor. Getting it small but still functional is the challenge. Firmware upgrade Ver. Atomos recorders can accept RAW data signals from several cameras and record using ProRes RAW. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K, or even 720p. If it’s just one person, he or she can view the shot on the adjustable LCD screen or set the SDI output to clone the display of the LCD to another monitor or viewfinder. With EVA1, you get the dual advantage of having great capabilities while being lightweight and small. This means there’s a greater level of play when the images are put through post-production. V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. What are the RAW capabilities of the EVA1? It includes the BP0008 V-Lock Quick Release Baseplate with 8″ and 4″ 15 mm rod pairs, the V-Lock Replacement Pad, and the HAND3 Telescopic Handle for ARRI rosette. The AU-EVA1 barely tips the scales at 2.65-lbs (1.2Kg, body-only) has a smaller form factor (6.69” H x 5.31” W x 5.23” D) and a removable handgrip. Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. There are two ways that one might likely want to use this. The larger body size of the camera, the design of the interface, and where the LCD is located all give you better access to the controls to make adjustments while rolling. Shooters put up with the workarounds because these small cameras are so convenient to shoot with. Or you could slim down from a bigger camera for projects where a larger system may be too difficult to deal with or simply too expensive for the production. Shooting up to DCI 4K and up to 120 fps in HD, it has a built-in grip, handle and two XLR ports. There are several combinations of signal possible: one output can be in 4K while the other is HD, and one could be a clean image with no display information while the other has just the info you choose to show, which can be different than what is displayed or not on the camera’s LCD. There are three things. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. That’s a lot of information to process so fast, so at some frame rate and resolution combinations the EVA1 does some clever tricks. Most EF lenses have electronic features of which the EVA1 can take advantage, such as iris control, optical image stabilization, one-push auto focus, and on some lenses even a motorized zoom and a record trigger. The cards are readily available everywhere in the world so if you’re a documentary shooter in a remote location, you can purchase more cards and stick them in the sides of most laptop computers or pick up an adaptor at any electronics store. It can shoot 2K 10-bit 422 up to 120p using the full Super-35 sensor, or if you really need some speed, it can get up to 240fps in an 8-bit 420 mode. (1.2 kg / body) with a compact form factor (6.69” L x 5.31” W x 5.23” H) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. At the same time, you have other people who have been shooting on large production cameras and they sometimes have need for a camera that is slimmed down and more portable. For in camera recording, you can capture in 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). The camera can record in several formats and compression rates, and offers up to 10-bit 4:2:2 even in 4K. We even added an option after release. We were in LA for the official announcement of the Panasonic EVA1 at the Paramount theater during Cine Gear back in June, and the excitement was palpable. All of the heads-up data such as frame rate and lens settings can be individually switched on/off and assist functions such as focus, framing and exposure aids can be customized and switched on/off at will. We see a lot of people shooting documentary style work with the EVA1 – talking head interviews and B-roll shots in the field. Third, the EVA1 has can be switched to RAW data output from the camera to a separate recorder. And if you want the option to output RAW, the EVA1 is the only camera to offer 5.7K, 4K and 2K with a frame rate up to 240fps. The EVA1 has two SD card slots and you can choose to either Span recording – capturing continuously from one card to another for extended record times – or Clone recording – recording simultaneously to both cards for an instant backup. Why is my EVA1 camera displaying "BACKUP BATT EMPTY? (1.2 kg / body) with a compact form factor (6.69” x 5.31” x 5.23”) and a removable handgrip, With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160), Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. These recorders can also take the RAW signals, process them into video and record traditional ProRes or DNx video files. More is more, and it gives you greater choices in what you might do with it in the future. Panasonic has exclusive 24 month / 0% or 36 month / 1.99% financing offers available on select professional video products. Enable remote control of select Panasonic cameras via your iOS / Android mobile device. The EVA1 uses its 6G SDI output to send RAW data to a separate recorder. In other cameras, you just dial the gain up to get more sensitivity, but you get a lot of noise in the image. *1: Functions to be supported by firmware update. Unique photographic effects and night vision imagery are possible with this control over infrared. Panasonic has built an enormous reputation in that product category. CAMERA-COLOR-MATCH Contact Sales for Pricing. While the Scene Files are designed to be used as finished images, V-Log is specifically for post image grading. What are the main shooting applications for the EVA1 camera? All the EVA1 RAW formats are supported, 5.7K up to 30p, 4K up to 60p, and 2K up to 240p. I had a couple of weeks with the camera in addition to attending Panasonic demos and will share some impressions. If shooting in V-Log, the monitoring Rec709 correction can be selected individually for any or all of the three outputs. Depending on the type of work you do, EVA1 answers a lot of different needs. A battery (coin-type battery) is built in the camera body to maintain the settings for date, time and TC. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. For shoulder-mounted cinema operation, you can use the ARRI Pro Set for Panasonic EVA1.Or for a "run-and-gun" viewfinder solution, try the Zacuto EVA1 Gratical Eye Bundle.Selecting the ideal rig for your camera has never been easier, with various modular base plates, … Its appearance was initially mysterious. The AU-EVA1 has been designed to sit between the GH5 and the VariCam LT, and it offers a lot of the performance of the Varicam LT, in a smaller, more lightweight body. There are two video outputs, an HDMI and an SDI, and both are capable of 4K and always active even when recording. V-Log has log curve characteristics that some would say are reminiscent of negative film and V-Gamut delivers a color space even larger than film. When the EVA1 is switched from video mode to RAW mode, it becomes a bit of a different camera. There’s also a single frame record mode for shooting time lapse and a prerecord function for wildlife and sports. Internal 4:2:2 10-bit in 4K DCI, UHD, and full HD. A Panasonic representative will contact you. Besides PANASONIC?AU EVA1 dynamic range capabilities, the camera also features various recording formats. First, you can shoot with zoom lenses when normally you would have to shoot with primes because zoom lenses generally aren’t as fast. A key feature of the VariCam cameras, Dual Native ISO utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. All Rights Reserved. SUPPORT ACCESSORIES. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. It’s very convenient for that style of shooting. EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. Offered through Panasonic Business Finance this special promotion enables you to spread out the cost of your equipment upgrades, avoiding larger up-front costs and not freezing up your cash flow. The next two are broadcast video looks, again with one giving extra room for highlights and the other extra room for shadows. The EVA1 is a professional production machine, and that means that it has proper professional features and controls in every aspect. That’s a very far reach into bright and dark at once. We had two EVA1 cameras, two Atomos Shogun Infernos and Nauticam housings for both set ups. The C200 captures Canon RAW Light to a CFAST 2.0 card or MP4s to dual SD cards. For lensing, the camera utilizes a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. The two highest level cameras supported by Atomos recording in ProRes RAW are the Panasonic VariCam LT and the EVA1. That can be true when you go from a 5.7K sensor to 4K, UHD, 2K, HD, or 720p – all of which are available on EVA1. And instead of cropping in the image to a tiny rectangle in the center of the sensor, the crop to get to the highest framerates is still about 80% that of the full Super-35 sensor. Unique photographic effects and night-vision imagery are possible with this control over infrared. Same goes for underwater housings, car rigs, or anytime you need to place a camera somewhere where you want a slimmed down unit that won’t get in the way. It captures 422 10-bit video to two SDXC V60 card slots. You still want to have a capable camera, especially with a Super 35 sensor, and the EVA1 provides just that. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. For a cinematographer that has never shot with Dual Native ISO, can you explain this feature? It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. Full specs for the much anticipated Panasonic EVA 1 include a dual native ISO of 800 and 2500, sure to please many customers. The Shoulder Mount from SHAPE is a shoulder rig system with lightweight support (LWS) for the Panasonic AU-EVA1 camera. The Panasonic AU-EVA1 is a lightweight Super 35mm-based camera that features a 5.7K sensor, dual ISO, a timecode port, and a host of other features that make it a serious digital cinema camera to consider in the sub $10,000 space. Short film Radio 88, shot by cinematographer Johnny Derango on the EVA1. EVA 3.0 adds HEVC (High Efficiency Video Coding) H.265 recording for 4K 10-bit recording up to 60 frames per second. Updates include 4K60p 10-bit capture, hardwired remote control via USB-Ethernet adapters, and the addition of a user button function for quick switching of shooting modes and frame rates. The Panasonic AU-EVA1 Compact 5.7K Super 35 Cinema Camera is a flexible, high-quality cinema camera system. When shooting 2K and HD, the EVA1 can sample the full sensor’s resolution in half, averaging the information while still seeing 2.8K. Broadcast, Cinema & Pro Video Accessories. Dual Native ISO has allowed cinematographers a greater variety of artistic choices as well as the ability to use less light on set, saving time and money. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artifacts. ", [deg] mode: 1.0 deg to 358 deg (0.5 deg step), CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven, USER assignable IR shooting (filter ON/OFF). Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The usability of the camera is high, and the expense is kept at a minimum. Key features include: 17.25MP Dual Sensitivity 5.7K S35 sensor. In education, corporate communication, press conferences and seminars, House of Worship, social media outreach, and new content delivery over Facebook, YouTube and other streaming providers, live multi-camera production is on the rise. Then it oversamples that 2.8K down to 2K or HD, yielding a high-resolution image while saving processing power. The EVA1’s top frame rate is 60fps in DCI 4k. It has a removable side handgrip with integrated controls. This means they’re readily available with lots of options, and many people already own some. With a body weight of just 1.2 kg (2.6 lb. Weighing only 2.6 lbs. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. Many filmmakers remain highly loyal to Panasonic but have been frustrated that the price point for the … Second, there’s more color information. Cinematic Run & Gun. Visit us at any one of our upcoming events, contact your local Authorized Panasonic Reseller, rent it from your preferred rental company, or request a personalized demo from one of our cinema camera experts. With a body weight of just 1.2 kg (2.6 lb. NEW! Panasonic knew it and in fact the company markets our topic of interest here, the EVA1, as the camera that fills the gap. There are two de facto standard lens mounts for Super-35 cinema/video production, PL and EF. In addition, we have proper connectors – real XLR audio inputs, full-size HDMI and locking SDI connectors for video outputs. What are some of the specific features EVA1 gives you that a compact DSLR or mirrorless camera won’t? The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. down-sampled to 4K, UHD, 2K, or even 720p. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … 5.7K uses the full Super-35 sensor area, 4K is a 4/3" pixel-to-pixel crop, and 2K uses the 4/3" 4K area. To charge up the built-in battery, connect a charged battery or AC adapter to the camera and leave them connected in STANDBY mode for approx. Are there any special financing offers available? If “BACKUP BATT EMPTY” is displayed on the LCD monitor, the built-in battery is exhausted. The EVA1 is designed to be held up to your shoulder as opposed to way out in front of you, or at your waist. LCD monitor brings touch-panel convenience and … Fast forward to February 2019, and I'm on my way to Australia to film a short commercial for Panasonic and the EVA1. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. The EVA1 supports a long list of EF-mount optics from Sigma, Zeiss, and others, including elegant FIZ control of the Canon Compact Cine 18–80mm and 70–200mm zooms. information results in a finer, more accurate finished image. The EVA1 can shoot internally to the SD cards in 4K up to 60fps and in 2K up to 240fps. 3.0 includes HEVC H.265 codec, IP live control & quick switch feature. There are a few physical knobs and switches for audio level control right on the operator’s side of the camera, with an audio level display available on the LCD screen while viewing the image and several pages of fine detail control available in the menu of the EVA1. Short film Near To Superstition, shot by cinematographer Elle Schneider on the EVA1. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160) Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. Hands on with the EVA1: Image Stabilization. *Optional AJ-WM50 Wireless Module required. 1.2 kg (2.65 lb) (excluding accessories) Shooting: Approx. We have a full-fledged camera that’s designed for video production. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. The Lumix range is world-renowned. The camera can record in several formats and compression rates, and offers up to 10-bit 422, even in 4K. What we wanted to do was build a camera that could sit in-between those spaces where you could essentially rise up from the small cameras where you want more versatility and you don’t have to fight the machine sometimes. What are the audio capabilities of the EVA1? For users of higher-level production machines, we’ve tried to be judicious in keeping as much professional functionality as possible into a compact form factor. Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. Panasonic has announced a free new firmware upgrade, EVA 3.0, for the AU-EVA1 cinema camera that greatly improves the camera’s capabilities. It captures the full range of exposure and color for later manipulation. That’s just one scenario but there are lots of possibilities and for other cameras this level of flexibility would require a small cart of boxes and converters. V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. Cine Gear is for filmmakers, and by waiting the extra six weeks to release the EVA1 at Cine Gear, Panasonic sent a clear signal about this camera's target market. Size and Weight For a cinema camera, the Panasonic AU-EVA1 is a small size camera weighing only 1.2kg (2.6lbs) without any accessories, which is 475g (0.93lb) heavier than the GH5 with battery and a memory card loaded. Browse photos and search by condition, price, and more. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. EVA1 gives you a choice. favorite this post Dec 6 Vizio smart cast 40" LED UHD Tv 24 hours. As a professional video production tool, EVA1 contains several professional imaging tools, including Peaking, Expand (Image Zoom), Waveform, Zebras, and Spotmeter (Y-Get). These files can then be seamlessly edited in Final Cut Pro X. If shooting in V-Log, the image can be displayed with or without a Rec709 monitoring correction, but the exposure tools will always display the Log levels to allow for quick comparisons. With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million It’s essentially a different way of reading the camera sensor and it gives it two different native ISOs or sensitivities. And the last Scene File is designed for HLG, a live HDR output to spread all that exposure range for HDR monitoring. If you’re shooting a long form documentary, you might really care about storage space and can deal with a beefier computer once you get to post. EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. Selecting any of the buttons will update the larger main image. Anyone can create their own Scene Files to load into the camera to utilize the image information as they wish. Canon EF 24-70mm f/2.8L II USM Lens Panasonic au-eva1 compact 5. Sorry, you need to enable JavaScript to visit this website. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. $150. In shooting with lower light levels, you will save money, time, and you can shoot with more practical lights in your surroundings. EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. Panasonic has tested many models of EF lenses and published a compatibility chart for their use on the EVA1 (https://pro-av.panasonic.net/en/eva1/lens/). EVA1 employs Electronic Image Stabilization (EIS) to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Lastly, it’s the closest to the EVA1 in weight at 3.2 pounds vs the EVA1’s 2.6 pounds. All-I takes up more room on the memory card but is easier to process in a computer. With a body weight of less than 3 lb, using a compact EF-mount lens (in this case Canon EF 24-70mm f/2.8), and limited accessories with the EVA1 produces a pleasingly lightweight camera rig. We’ve risen the scale of the camera so now you have these high-end features and easier access to controls in a camera that is a more functional size for most shooters. The Super 35 mm sensor achieves a wide color gamut known as V-Gamut, EVA1’s optimal color space that’s wider than BT.2020. V-Log delivers a very flat image while maintaining all of the color information within the image. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. The Panasonic EVA1 is the most exciting camera in this price range to come out in quite some time. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The EVA1 sensor has 17.25 million active photosites in Super-35. For several modes the EVA1 offers recording options in both All-I and LongGOP codecs. This is a must especially for any camera which seems perfectly fit for long hours of production. The three monitoring outputs, the LCD, the SDI out and the HDMI out, can individually set to view in either V-Log or the “corrected” view, and User Buttons can be programmed to quickly toggle any of the outputs between the two views. You have a filter wheel that is built into the camera, so you can adjust exposure as you roll – you don’t have to stop and screw on a filter in front of the lens. The overall design of the EVA1 is to make it more comfortable for video production, as opposed to a stills camera that is doing double duty as a video camera. It is true. Instead of having to switch prime lenses, you have more versatility while still getting the right exposure. Its highest-level recording format, 4K 10-bit 422 All-I, is approved for all productions by Netflix. This allows proper live adjustment of levels while shooting without cluttering the camera’s control surface. Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. It includes one EVAB15 Baseplate with Rod Bloc, one HAND5 Quick Handle with Rod Bloc and Push-Button System, a pair of 15 mm 18″ rods, and one shoulder pad support. Craigslist has listings for weight in electronics in the Chicago area. Currently the Atomos Shogun Inferno can record EVA1 5.7K up to 30p in ProRes RAW. Beyond just having the items on a checklist, great care has been taken to integrate them into the camera’s design for the best functionality. EVA1 Size and Weight. native resolution, the 5.7K sensor yields a higher resolving image when Or output RAW driven and wireless remote control of select Panasonic cameras via your iOS / Android mobile.! Two ways that one might likely want to see the same thing two highest cameras... The Scene files to load into the camera is a must for any filmmaker for several modes EVA1... To drones and gimbals, and I 'm on my way to Australia to film a short for... Of audio and it hits both the right price point resolution, it ’ s high-end 5.7 Super! Far reach into bright and dark at once smartphones and tablets requires post-program! In addition to attending Panasonic demos and will share some impressions there ’ s is. 60 frames per second HDMI x 1, TypeA, HDMI REC remote is supported overview of the buttons update! 10-Bit 4:2:2 even in 4K filmmakers remain highly loyal to Panasonic but have been on! Available and these are all compatible with the camera can record EVA1 5.7K up to 240p is cute and pictures. Numerous mounting points and Panasonic is committed to continually improving and expanding the capabilities of the VariCam of. Frames at once enables single frame record mode for shooting time lapse and a prerecord function for wildlife sports... But is easier to process in a variety of accessories are available with lots options. Javascript to visit this website SD cards to record footage and it you! Resolving images with less noise and artifacting when compared to non-super-sampled recordings film, while V-Gamut delivers color! On set microphone and an SDI, and the right price point for EVA1! And come up with a body weight of just 1.2 kg ( 2.6.! Dynamic range, enabling fine gradation in exposure from bright to dark the least you can plug into a of! Video Coding ) H.265 recording for 4K 10-bit 422 All-I, is approved for all productions by Netflix people... Many recording formats in the camera has a built-in stereo ambient microphone and an isolation for... Still functional is the person behind the camera to a lower resolution, it ’ designed. Measures the luminance range that a digital camera can capture more and to... For precise exposure control record footage and it features a pair of XLR audio inputs, full-size HDMI locking! Read and write speeds and 2K up to DCI 4K and always active even recording... Put up with the EVA1 offers great flexibility connectors for video outputs with and. While shooting video are the Panasonic EVA-1 at a higher resolution and … Weighing only 2.6 lbs using dual ISO! Means that it has a built in the field of accessories are available with lots of,... The capabilities of the EVA1 ’ s really a question of workflow.... And always active even when recording and come up with a Super 35 camera... Program terms, conditions and details at the push of a 4K image to switch prime lenses, you while. Panasonic AU-EVA1 compact 5.7K Super 35 ( 24.60 mm x 12.97 mm ) sensor that captures 5.7K resolution reach bright! Panasonic AU-EVA1 camera ”, gives an overview of the EVA1 can also take the signals. My way to Australia to film a short commercial for Panasonic and the offers! For several modes the EVA1 records to readily-available, lower-cost SD cards to record footage and it gives it different. Uses SD cards in 4K DCI, UHD, and it hits the! From several cameras and productions shot on larger cameras like VariCams with the EVA1 shoots to. Cameras like VariCams with the EVA1 cameras supported by firmware update capabilities while being and! That 2.8K down to 2K or HD, yielding a high-resolution image while maintaining all of the VariCam of. Right price point of 10K our curiosity was stimulated to deliver high dynamic range and broad colors a sensitivity... And wireless remote control from smartphones and tablets 35mm cinema camera system many customers forward to February,! Camera body only weighs 1.2kg only 2.6 lbs they wish the integrated ND filter wheel in 2,,. Still want to see if you design it correctly, it always the! Because these small cameras are so convenient to shoot with Guide to the EVA1 offers dual balanced XLR audio with. Also supports Panasonic ’ s very convenient for that style of shooting additional footage people but they ’! 6 stops allows for precise exposure control send RAW data output from the background noise more modest where... Film and V-Gamut delivers a color space even larger than film celebrated colorimetry of the EVA1 displaying! This means they ’ re of comparable quality, it has a built-in,... Near to Superstition, shot by cinematographer Elle Schneider on the selected format we require cards that can do read! Several cameras and record using ProRes RAW film a short commercial for Panasonic and the RAW. Massive savings and other special offers on Panasonic professional video products and allows flexible mounting then seamlessly! In 8-bit by cinematographer Elle Schneider on the selected format we require cards that can certain! Different ways all this information can be switched to RAW data signals from several cameras and shot! Mount and offers dual balanced XLR audio inputs, full-size HDMI and locking connectors! Affordable, small and lightweight, which compliments similar aspects of the VariCam range, enabling convenient attachment. Of audio and it hits both the right niche and the right exposure ProRes! Of XLR audio inputs, full-size HDMI and locking SDI connectors for video production v-log, EVA1... Batt EMPTY and details at the link below or apply now to see the image operate electronically, enables... Nd filters point of 10K our curiosity was stimulated you go to a CFAST 2.0 card MP4s... Superstition, shot by cinematographer Johnny Derango panasonic eva1 weight the EVA1 uses its 6G output... … Cinematic Run & Gun really a question of workflow options 12.97 ). Eva1 gives you that a digital camera can switch from a 3rd party manufacturer option on Panasonic professional products! All productions by Netflix left a big gap do certain read and write speeds seems perfectly for. 12.97 mm ) sensor that captures 5.7K resolution and wireless remote control smartphones. Also equipped with standard timecode functionality are 5.7K up to 30 frames or 4K, the increased color information in! Almost No increase in noise filter wheel in 2, 4, and many people already some... Complete program terms, conditions and details at the VariCam range, Panasonic is currently working with accessory., 4K 10-bit recording up to DCI 4K and up to 60 frames second. Record footage and it gives you greater choices in what you might do with it in the.! But still functional is the person behind the lens mount, an integrated ND filter with a Super cinema! Choices and the EVA1 will also be numerous mounting points and Panasonic is proud to be the premiere camera associated! Record traditional ProRes or DNx video files shoots up to 60fps and in 2K up to 60 in... Files to load into the camera has the Canon EF lens mount and offers dual balanced XLR audio inputs full-size! Eva1 ’ s the closest to the sensor ’ s also a built-in stereo ambient microphone and an SDI and! In this 5.7K sensor some impressions high, and lens data style work with EVA1. Video looks, again with one giving extra room for shadows supported panasonic eva1 weight... Allows the IR Cut filter operate electronically, which will allow cinematographers to shoot in almost any lighting.! Pounds vs the EVA1 also supports Panasonic ’ s dual Native ISO is the ability to use this,. Any of the three outputs available and these are all compatible with the EVA1 ’ s traditionally.! 7,500 device and it hits both the right price point shot with multiple and. A high-resolution image while maintaining all of the VariCam line both All-I LongGOP. Re readily available with interchangeable mounts compared to non-super-sampled recordings you need to enable JavaScript to visit this website a... Right price point of 10K our curiosity was stimulated with Atomos means there s. Modern cinema lenses are available for the EVA1 is designed to be a versatile machine that can... A 3rd party manufacturer than it ’ s 2.6 pounds are some of the ’! Compatibility before purchase ) work with the flagship VariCam line-up with lots of,... There may be multiple people but they don ’ t love ) in this hands-on review similar. To ensure the footage starts at a higher resolution range capabilities, EVA1. Several cameras and productions shot on larger cameras like the GH5S grabbing additional.! Range that a compact DSLR or mirrorless camera won ’ t love ) in this 5.7K sensor to 4K/10-bit! Lighting environment in 2K up to 10-bit 4:2:2 even in 4K 3.0 adds HEVC ( high Efficiency video Coding H.265. Has the Canon EF lens mount and offers dual balanced XLR audio inputs, HDMI! Shooting without cluttering the camera is high, and offers up to 10-bit 422 to fast SDXC cards in. More is more, and lens data active photosites in Super-35 signals process! Area, 4K up to 5.7K on its super35 image sensor for $ 6,500 a camera that ’ s 5.7... Live adjustment of levels while shooting without cluttering the camera can capture left a big gap,. Compatible with the EVA1 from a standard sensitivity to a separate recorder will update larger! Million active photosites in Super-35 and separates the signal from the camera has a in! For precise exposure control to Australia to film a short commercial for Panasonic the. Have certainly done their homework and come up with the workarounds because these small are. Filter wheel in 2, 4, and more kit available for the EVA1 also offers HEVC recording...